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Four new theme colors are available in Max for Live. You can use the settings to: configure the MPE zone and range of note channels used by Live when sending MPE to an external MIDI device or plug-in select the upper or lower zone and number of note channels select multi-channel mode, which sets an arbitrary range of note channels The above MPE settings can be used for hardware synths that require a specific MPE configuration, or plug-ins that do not officially support MPE but can be used with MPE controllers due to their multi-timbral support.

Multi-Clip Editing Time selection interactions, note selection interactions, and new note editing options have been added to multi-clip editing: Time in the MIDI Note Editor can be selected across loop and clip boundaries. Wavetable: A context menu option for Hi-Quality mode has been added to the Wavetable device.

Updated some parameter names for the Chorus-Ensemble device on Push 2. Multi-selecting scenes now behaves the same as multi-selecting clip slots. Bugfixes Live Bugfixes Devices that use beat sync divisions now remain in sync when the device is re-enabled during playback. The undo text for changed clip colors has been corrected in the Edit menu.

Renaming take lanes in linked tracks works as expected. Folded clips with long fades appear as expected. Fixed an issue that caused clip fades to reset when resizing adjacent clips. E-Piano Wurli. Womp Bass. If the preset was previously part of Collections it needs to be added again.

Fixed a bug with the Expression Control device. Key events keep working when a selected Max for Live device becomes invisible. Mapped waveforms in the LFO device appear as expected. Live would crash if undo was used twice after duplicating and moving the track. The Back to Arrangement button now appears as expected in Group Tracks. Fixed a bug that caused MIDI notes in a selected area to get deleted even if the notes themselves were not selected when pressing Delete.

The Library. Fixed a crash that occurred in certain scenarios if two instances of Live were running at the same time.

Fixed a crash that occurred when pressing the [Space] or [Tab] key after clicking on Track Status Display in Session View if a clip in Arrangement View was being played.

Improved shared Library folder setup when installing Live in multi-user environments. Selecting and launching multiple clips across a scene using the [Enter] key now works as expected.

Fixed a crash that occurred when renaming a take lane inside of a linked track and then pressing Tab. When adding a new note to a MIDI clip or reactivating a previously deactivated note, if the clip is playing and the playhead is within the new or deactivated note, the note will be played immediately.

When sending notes to a plug-in device, external device, or Max for Live device that has MPE Mode enabled, reoccurring notes with the same note number will now reuse the same channel. This can result in more consistent behavior of multitimbral instruments. Previously, this only worked in the Arrangement View. The splitter between Live's main window and the Help View can now be grabbed and adjusted at its full height.

When resizing the Session View, the clip slot selection will stay in view as much as possible. When the selection is off-screen, resizing the Session View does not scroll to show it.

It is now possible to solo tracks with the "S" key and arm tracks with the "C" key when take lane headers or automation lane headers are selected. Before, this was only possible when track headers were selected.

Previously, unnecessary splits might be created on an Arrangement track's main lane, when dragging the split line of adjacent highlights on a take lane. Now the behavior when resizing adjacent take lane highlights is more consistent. Added the following improvement to the functionality of User Remote Scripts: Device Control: Up to 16 encoders can be used for controlling Device Parameters.

The Device Activator button can be controlled. Mixer Control: An unlimited number of Tracks can be controlled. Track Mute, Solo and Selection can be controlled.

When the transport is stopped, any hanging notes in the Wavetable device will now be stopped, as in other Live instruments. Note names in Drum Rack pads are now displayed until no character fits at all. Standard note names are now displayed without the octave number if the full name does not fit. Live now has improved performance in certain scenarios.

The vertical size of take lanes on linked tracks is now synced with a take lane that is being resized by dragging. The position of the dragged lane is sustained to keep the visible resized dragged lane visible and avoid jumping. The lowest dot in a meter lights up in a blue color if per-note controller changes pass that meter.

If any notes are selected, only those note's values can be displayed in the ruler, and hovering respects the quantization grid. If any notes are selected, only those note's values can be displayed in the ruler, however hovering does not respectsthe quantization grid. Making a selection or multi-selection using keyboard navigation in the Session View's scene area now works as expected. When the Note Expression tab is open, a "Clear All Envelopes" entry in the context menu of the MIDI Note Editor and per-note expression lanes clears all expression envelopes of one or multiple selected notes.

When choosing a take lane for recording, Live now uses the first take lane that provides enough space. Before, Live used the take lane following the last take lane that did not provide enough space. Added the following changes when transposing an unwarped audio clip: The time ruler below the waveform will change to show the accurate amount of seconds in the waveform.

The position of the Follow Action marker will change to keep in sync with the playhead and the actual beat-time of the Follow Action. The play position is preserved, causing smooth playback of the waveform and respecting scheduled Follow Actions. A controller that sends high-resolution pitch bend can now be mapped to the scene selector and the snapshot selector.

Fixed a bug where the per-note breakpoint editor would not be focused when clicking on an expression curve in the Pressure or Slide lanes, when the Note Expression tab was visible. Previously, reactivating a take lane selection when Draw Mode was enabled would create a flickering effect.

Previously, the automation control chooser is empty instead of showing "None" when loading a new Set and "Show Automated Parameters Only" is chosen. Also, clicking on the automation control chooser would not select the main automation lane header when "Show Automated Parameters Only" is chosen. These bugs have been fixed. Fixed an incorrect error message that appeared when trying to insert a non-audio device into an Audio Effect Rack. Pitch Bend, Sustain, Expression, Mod Wheel, and other MIDI controllers that one would expect to reset to a default value will now do so at the beginning of clips that do not specify them.

Note: for users who intentionally use the previous behavior, this change will make their Live Sets behave differently. Therefore, the behavior is disabled by default. Previously, trying to resize multiple selected tracks via the resize handle of the last automation lane would resize the main automation lane instead.

Previously, exporting audio might start single-threaded rendering before switching to multi-threaded rendering after a while. This could impact render performance significantly for Live Sets that benefit from multi-threaded rendering. Plug-in window titles now update when changing the name of the containing track. AU plug-in devices are now displayed as disabled if plug-in creation fails. Previously, Live would crash when loading a one-sample length file into the Hybrid Reverb device and adjusting the Size parameter.

When the Note Expression tab is open and no note is selected, double-clicking on the Note Ruler now correctly zooms to all notes including their pitch-bend curves. Fixed two bugs in the Arrangement View: Previously, certain elements such as insert markers, the loop brace and fade handles were drawn on top of the Single Track Back to Arrangement button.

Previously, the triangle icon in the Single Track Back to Arrangement button was cropped when the track was almost scrolled almost out of the visible Arrangement View. Now the triangle icon is only shown when it can be fully displayed. Fixed an issue where a note could have per-note events behind the note end when recording a transposed MIDI clip into the Arrangement. In the unlikely event that an extremely high amount of MPE control change messages come in, Live will no longer crash, and all notes will be stopped.

Previously, when the Note Expression tab was open, moving the mouse from an unselected expression curve to a selected expression curve could cause the highlight to become stuck. Navigating with the Tab key once again works as expected when renaming scenes.

Fixed a bug where Follow Actions were not scheduled as expected, under certain circumstances. Corrected the Edit menu entry text for undoing a clip color change. Recording auto-quantization now applies to take lane clips as well as main lane clips. Improved Live's performance when a very large amount of notes are visible in the Velocity or Chance Editor. Fixed a crash that could occur when undoing in a Set that had previously been restored after another crash.

The Insert Time and Delete Time commands are no longer available when editing per-note expression breakpoints. Fixed a bug that could cause per-note expression to play incorrectly after a note-editing action resulted in an existing note becoming shortened.

Previously, Live's crash recovery would silently fail if the undo history contained an empty band file e. Fixed an issue where undoing a per-note breakpoint editor change while the breakpoint editor was not open would not redraw the expression curves. The Duplicate Time command is no longer available when editing per-note expression breakpoints. Fixed a bug where the Duplicate command would truncate the original note when duplicating the selected note while working in the per-note expression breakpoint editor.

Fixed a regression that resulted in missing parameters in the Collision device. Zooming Arrangement tracks via the Max for Live Application. Fixed a bug that could cause a crash when repeatedly adding and removing notes from a held chord when using the Arpeggiator device with the Hold parameter active. Previously, when clicking on a half-hidden track header to select it, Live might sometimes copy or move the track.

Previously, the Arrangement View would abruptly scroll upwards after renaming a clip in a take lane at the bottom of the view. Instead, the clip's take lane is now scrolled into view. Similarly, the clip's main lane is now scrolled into view when renaming a main lane clip, whereas before, the entire track including take lanes and automation lanes was scrolled into view.

Fixed crashes and error messages pertaining to corrupt documents that occurred when loading some Live Sets. Fixed crashes that occurred after deleting a device while a take lane clip has an envelope for that device. Fixed document corruption and subsequent possible crashes or other issues when restoring a Set after a crash under certain circumstances. Fixed a bug where Live would not accept tempo changes from Link peers in some cases.

The pitch slider now works as expected when connected to multiple clips: - Displays accurate values - Controls the pitch of all clips Fix a crash when unfolding a nested group track with a selected clip in it. Fixes a bug where Link would not get disabled when opening a new set.

Previously, if a Group Track was selected, nested tracks were also selected. The Overload Indicator is disabled by default for new Live 11 installations. Performance improvements when deselecting many clips. Bugfixes: Selecting a device or parameter in a main automation lane's Device or Automation Control chooser now also changes the device or parameter in other selected main automation lanes.

Freezing a deactivated Arrangement clip no longer creates a tail clip. An Arrangement clip that was deactivated when its containing track was frozen can no longer be activated while that track is still frozen.

Fixed a crash that occurred when right-clicking on a track header to rename a track, or trying to edit the track's info text via the context menu, when a second Live window was open on Windows. Presets which are not supported due to Live's current authorization state are no longer shown in Live's browser. Fixed a crash when scrolling in the clip detail editor with the mouse button held down. Fix a bug that generated spurious disk overload indications even when no sample dropouts occurred.

Updated the manuals. Fixed a performance regression when loading a Live Set with many devices. Max for Live devices that take over control surfaces and use getinfo to determine available controllers work as expected again.

Fixed a crash that could occur when feeding notes into the Scale device that were not mapped to a target pitch in the matrix. Fixed a bug that caused sliders and breakpoints to move more quickly to the top or left than to the bottom or right while click-dragging with the mouse, especially when moving slowly macOS only. Authorizing Live 11 with Live 11 Sassafras license files now works as expected.

Fixed an issue where a Rack's selector buttons for chains and devices would swap places, under certain circumstances. Fixed various minor UI alignment and sizing issues that affected other elements within Racks.

Fixed a spacing issue in Drum Racks. In all Racks, the Rand and Map buttons now always align with the right border of the Macro Controls section, and they appear as "R" and "M" when six or less Macro Controls are shown.

Setting the tempo or time signature from the Python api Max and Push will enable the scene widget and display the correct value being set. In all these cases, a connected Push device follows the highlight change and focus on the corresponding track.

Note: this is only visible in the system's CPU monitor, not in Live's audio processing meter. The Follow Action Chance slider now displays a split triangle instead of just a black bar when it is showing multiple different values.

Updated various Help View lessons. Added support for Drum Rack choke groups to the Wavetable device. Added a Pitch dial to the Clip's View Sample tab, which enables shifting an audio clip's pitch in semitones. The Transpose controls now appear as adjacent slider controls, positioned beneath the Pitch control. The "Pitch Bend Range Settings It is now possible to rename multiple selected scenes simultaneously. It is now possible to rename multiple selected tracks simultaneously. When the Expression tab is open, using the "Zoom to Clip Selection" command or "Z" key shortcut now adjusts the zoom level according to pitch bend values contained in the time selection.

It is now possible to clear all per-note Pitch, Slide and Pressure expression envelopes of a note at once by using the "Clear All Envelopes" entry in the context menu of the per-note expression breakpoint editor. Updated some lesson translations in German, Spanish, French, and Italian languages. Plug-in devices now look similar to built-in Ableton devices when disabled. In the Session View's Track Status display, the remaining play time of an unlooped clip now always displays the seconds with two digits e.

Updated some Japanese and Chinese info text translations. In the Spectral Resonator device, when low polyphony and unison voices are set, less CPU usage should be shown. Added the following changes to the Sample tab of audio clips: - The Clip Gain control has been changed back to a vertical slider, and it has been repositioned above the Transpose controls. When multiple audio clips with different Clip Gain values are selected, the value range is shown with split triangle handles on the Clip Gain slider.

Added some visual refinements to the Clip View tabs. Adjusting multiple encoders while recording automation now creates less undo steps on Push 1 and 2. Previously, the Operator device could crash or calculate inaccurate frequencies when its Fixed Mode and Spread parameters were enabled. Switching between oscillator effects in the Wavetable device now changes labels within each matrix as expected. When using a device parameter's "Show Automation" or "Show Modulation" context menu command while a Session clip is playing, Live now switches to the Envelopes tab in the Clip View when no clip is selected.

Fixed the following bugs in Max for Live: - Sending a getpath message to a live. Fixed a crash that could occur when restoring the Arrangement View's zoom state using the "Z" keyboard shortcut after deleting a take lane. Fixed a crash that could occur when clicking in a track's main lane after track content had been selected during recording, under certain circumstances. Previously, mixer controls in linked tracks would still be linked when selecting a take lane, after multiple track headers had previously been selected.

Fixed the alignment of the Launch text label that appears in the expanded view of the Clip View's Clip box. Previously, when the Expression tab was visible, making a rectangular selection of a single note in the MIDI Note Editor would incorrectly set the focus to pitch bend expression editing. Fixed the following bugs: - When copying a folder with audio files to another folder which was already in Places, the files would not appear in the browser.

Arrangement clip headers no longer have an uneven appearance. Previously, resizing the Device View, as a result of switching to the Arrangement View, while no clip was selected would result in automation lanes having the wrong height when switching back to the Session View. Previously, the waveform of an audio clip in the Detail View would be displayed in a dimmed color, although that clip was not audible while Audition Mode was enabled.

Previously, the Follow Action Time marker was sometimes displayed at the wrong position in unwarped clips. Previously, an Arrangement clip header would not be displayed as having a standby selection when the focus was moved away. Using pinch gestures to zoom once again works in expression lanes. Improved the text contrast in the Session View's Track Status display for unlooped clips. Previously, using Tempo Follower and Tap Tempo at the same time could create a conflict with Live's tempo.

To prevent this, Tempo Follower is now disabled as long as Tap Tempo is active. Previously, when triggering a scene with assigned Follow Actions after stopping Live's transport, that scene's tempo was not respected. Shift-clicking on an empty track slot in the Session View no longer changes the scene and track highlighting. Previously, the vertical zoom level and scroll position in the MIDI Note Editor were sometimes wrong when switching from the Expression tab to the Notes tab.

The "Stop" Follow Action now works as expected for scenes. Previously, the selection on an auditioned take lane would look different when Draw Mode was active. Previously, when the Expression tab was open and the MIDI Note Editor was folded, zooming to selected notes would sometimes scroll out of view. Previously, it was not possible to unlink all tracks when some tracks were nested inside a Group Track.

Fixed a crash that occurred when inserting a take lane. Previously, adding a device via double-clicking could create two undo steps. It also cannot be minimized anymore. These changes highlight that the second window is not a stand-alone window, but secondary to the main window. Fixed a bug that could cause notes to be affected by expression parameters including pitch bend from previous notes. User Remote Scripts work as expected on Windows again.

Previously in the Spectral Resonator and Spectral Time devices, gaps would sometimes appear in the Spectrogram at high frequencies. A Max for Live device's background color now updates correctly after moving that device between tracks. Fixed two bugs in the MPE Control device: - The Pressure curve would not follow Live's themes when the device was instantiated while using the Dark theme.

The Launch Macro Variation button can be mapped as expected again. Fixed a crash that could occur when dragging an empty frozen MIDI clip to an audio track. Replacing a licensed Max for Live device with an unlicensed one no longer creates a "fake" device that informs the user of a missing license.

Also, it is no longer possible to inadvertently trigger Temporary Demo Mode when attempting to perform another action that breaches any current limitations, in cases where a "fake" device was created.

Changes to a scale or root note on Push while recording a MIDI clip are now applied to that newly-recorded clip. When enabled, the Scale aka Fold to Scale button becomes disabled instead of grayed out whenever folding to scale is not possible. Fixed a crash that could occur when freezing a track after recording, under certain circumstances.

The Live manual has been updated. Remember to "collect all and save" when working with the new and updated Packs! When the Clip Color preference is set to Random, all armed tracks will record clips in Arrangement View with the same random color, to indicate that those clips were recorded at the same time.

Live 10 themes have been removed. Improved some Max for Live error messages. The last recalled variation now shows its Launch Macro Variation button in a darker color. Upon loading a Rack preset, the first variation to match the preset's Macro Control dials is set as last recalled, to indicate which variation is active.

Note: due to limitations in how Macro Control dials are restored upon loading a document, this does not work in regular loading scenarios. The default Jump Follow Action Target value is now "1" which will now fire the first slot , instead of "0" which stopped playback. Grid lines now have a more even base opacity between themes. Default grid lines are now easier to distinguish.

The inactive foreground color of the Session and Arrangement View selector buttons now matches Live's other main view selector buttons. Bugfixes: Core Library: Added missing default presets for Legacy Audio Effects Accessing a dict that is too large from Max via Javascript or when the device is open for editing no longer crashes but instead prints an error.

Sending a dictionary from Max that is too large now prints a more descriptive error. Fixed a bug that prevented users from loading presets of Max for Live devices that they owned, or Racks containing such devices, by double-clicking. Previously, using "Alt" with the scroll wheel on a hovered Arrangement lane header would not always resize that lane. Previously, toggling Solo via the Edit menu command or the "S" keyboard shortcut ignored the selection on the content of a linked take lane, and instead toggled Solo for the highlighted track.

Fixed a crash that occurred when loading a certain clip. The progress dialog that appears when exporting audio or freezing a track would look incorrect when external audio instruments or effects were being used. Updated the "What's New in Live" lesson, and added some small fixes to various other lessons.

Note that this relies on the plugins correctly reporting that they support MPE; many MPE-capable plugins do not yet do this, so the impact of this change is limited for the time being. Improved contrast in the Light Theme selection colors. For Spectral Resonator, modulation modes should sound similarly loud.

Added info text for take lanes. When using the rubber-band tool in the velocity or probability editor to select notes, only notes whose head is in the selection rectangle will be selected. This makes it easier to precisely select notes when they are overlapping in time.

Fixes that Live hangs and must be forced to quit when turning Audio Engine 'Off' in some cases. Fixes a bug where flattening a MIDI track would cause sidechain routings from it to be disconnected. Fixes a crash when deleting or moving a track that contains a video clip in the arrangement on Windows.

No more crashes when navigating highlighted return tracks with the arrow keys. Fix issues where clip names were not drawn correctly in draw mode. Deactivating a Max for Live device that outputs audio does not cause a click anymore. If a Live set was loaded and an audio clip was immediately loaded into the detail view, wrong information about the sample could have been displayed e. This is now fixed. Until the sample is online, nothing is shown, and once the sample is online, the correct information is shown.

Also, when nudging while tempo following is on, releasing the nudging button doesn't introduce a tempo jump anymore. The parameters' size does not "flicker" when changing banks in all devices and especially changing the "section" parameter of Hybrid Reverb. Disabled Crop and Reverse context menu entries for point in time selection. The auto-select button icon in rack devices is now visible when dark theme is on. Fix that unlinking tracks after clicking or right-clicking on a track header's link icon would not unlink linked tracks in folded group tracks.

Preserve the selection of grouped tracks when folding and unfolding a track. Previously, when deleting the last event of a per-note event automation, the dotted-line was stuck at the position of the last event.

Now, the dotted-line correctly returns to its proper initial position. Fixed a bug that caused graphic issues with certain plugins on macOS. Remember to "collect all and save" when working with the Live 11 Beta Core Library and new and updated Packs! A recording clip will no longer show the fades of any clips that are overridden. When using the Hybrid device, the Status Bar will now only show the notification that an IR has been trimmed upon dragging and dropping a file, or selecting an IR from the User category.

The notification will now also disappear immediately upon loaded an IR that is not trimmed. Added a dedicated info text for source highlights on take lanes. On Push 2, the Corpus device shows a graph visualization for its filter and has an improved UI.

Updated the Scene View's background color. Added some visual changes to the piano roll and MIDI Note Editor: The width of scale highlighting on piano roll keys has increased from three pixels to eight pixels.

A shaded vertical line is drawn on MIDI notes when they are cut on the left. In Automation Mode, when creating a selection on a linked track's automation lane, choosing one of the following commands from the context menu will now apply that action to all linked tracks: Rename, Deactivate Clip, Split, Consolidate, Create Fade, Reset Fades, Freeze Track, Crop Clip s , and Reverse Clip s.

After the action is applied, Live selects the content of affected lanes, and undoing the action restores the initial content selection. When copying and pasting clips from a folded Group Track, take lane clips are no longer copied and take lanes are not considered as target lanes for pasting clips. Also, whether a target Group Track is folded or unfolded, pasting clips there from a folded Group Track now produces the same result.

The spacing between the buttons that are used to toggle velocity, probability, and per-note expression lanes in the MIDI editor is improved. Users will have to wait less time when creating new sets. Changed the label on the "probability" lane of the MIDI editor, and reduce the width of the vertical rulers.

Plugin windows are not animated on Mac anymore when the plugin asks for a resize, which looks better. Fixed a crash that could occur when Live attempted to select a hidden track, under certain circumstances. Previously, some menu commands would not work correctly, or could even crash, when switching between note editing and per-note expression editing. Previously, right-clicking on a track header's link icon would not select all linked tracks, if that track had been nested within a Group Track multiple times.

When clicking on a scene number, the selection behavior is now consistent with clicking in the adjacent scene name area. Previously, Global AT values could be reset to zero when a new note was triggered.

The Hybrid Reverb device is now correctly displayed on Push 2. Previously, when zooming closely enough on a MIDI clip that its notes displayed their note names, altered notes such as "A " were clipped to only show "A".

Now, note names that do not fit the view are no longer displayed. Fixed a crash that could occur when merging tracks from existing Sets that contained multichannel Max for Live devices. Nudging behaves as expected when used while the Tempo Follower is active i.

Control surface preferences are reset, and saving and recalling control surface preferences works correctly again. Parameter names on Push are now correct. Fixed a crash that could occur when applying extreme modulation to filters within various built-in devices. Fixes a bug that caused the loss of all expression data in a clip when changing note velocities using the draw tool in the velocity editor. Fixes that the source highlight info text would not be shown on the top part of a highlight in draw mode.

Fix that adding new tracks via keyboard shortcuts or from the "Create" menu would not consider the current selection of take lanes and automation lanes and always add them at the end of the tracks. The follow action time widget in the scene follow action will use the scene's time signature if it's active and all selected scenes have the same time signature, otherwise it will use the song's time signature.

On Push: The second page of macros will always show if any of them are mapped, irrespective of the rack being folded or unfolded Pressing the second page of macros while it is selected opens and closes the rack's devices except for drum racks, where the main rack device showing the first page of macros doesn't do that either Holding the second page of macros shows the chain selector view, just like the main rack device which shows the first page of macros When you are viewing the macros of a rack, and there is a second page of macros as one of the macros are mapped, you can now press the "Enter" button to enter the rack.

Double clicking specific Hybrid eq parameters resets them to new default values. The option to upload to SoundCloud has been disabled. Now the highlight is preserved. This fixes as well the scrolling behaviour. After inserting take lanes arrangement was always scrolling to the last inserted lane. Now it only scrolls to the highlighted track when necessary when after inserting a lane highlighted track was not visible anymore.

If the track highlight was not on any of the inserted take lanes, track highlight will be set on the track of last inserted take lane. These clips are ignored. This also fixed crashes that could occur when pasting, moving or nudging hidden linked take lane clips. Fix that Live would crash when stopping a recording after linking tracks while they are recording. Fix that crossfade curve adjustments occasionally jump when dragging the curve handle with the mouse. It's possible to delete racks with a 2nd bank and continue to use Push 2.

Fixed a bug where, when the song was stopped and restarted while a follow action was already triggered flashing , the current clip would be played rather than the following clip.

Starting the following clip immediately when resuming the song or when scrubbing is consistent with Live 10 behavior, with unlinked follow actions, and with linked follow actions that have a multiplier of 2x or more. Fixed: renaming in the browser might lead to a crash copying folder or files from project to project might crash instantiating a plugin with special characters in the plugin name might crash When a set of slots is selected and the initial anchor of the extended selection is not in the set anymore, the selection can still be extended from the remaining selected slots.

These are too small to be useful, so they're removed. Fixed a bug where extracting a groove and then saving in the groove pool would make Live crash. Under Certain Circumstances, there was a visual glitch around the groove pool chooser in the browser side bar. Pressing the return key when the tempo or time signature widgets are selected selects the scene header instead of launching the scene. The scene only launches when the header is selected. The navigation goes to the next or previous scene when reaching the last or first widget in a scene.

The Release Velocity in NoteLenght is now set to 0 by default. Spectral Resonator and Spectral Time will now save CPU by deactivating when silent and by extension deactivating all downstream devices. Previously, draw mode would affect notes based on where their "lollipop heads" were visible, which could affect notes outside of the clicked grid cell when zoomed out a lot. It is now possible to change the note selection in the MIDI editor using the arrow keys in combination with a modifier Alt on Mac, Ctrl on Windows , even while editing or drawing per-note expression breakpoints.

Upon loading an impulse response that exceeds our maximum possible size, users will now receive a message in the status bar that their impulse response has been shortened and still be able to use the trimmed file, rather than simply receiving a notification that 'The impulse response file is too long.

When attempting to load an outdated user remote script, users will see a warning message with a don't show again option which explains that the script was written for an old version of Live and needs to be updated. Previously, the time selection would be cleared on mouse-up when selecting a single note in the per-note-events tabs. Now, the time selection stays the same when selecting a single note, and gets cleared only when interacting with the events. The time selection is synced back when clicking on the note again, or switching to the notes' tab.

Key name labels come closer to the separator lines when there is not enough space e. In Envelope mode "disabled piano ruler" : Fixed the condition for drawing the keys or not The vertical separator line at the left of the ruler remains visible A vertical line is not displayed anymore at the right when keys are invisible The ruler remains aligned when the MIDI editor contains no notes, in the case where the keys are fully zoomed-out.

Fixes a bug where dragging a groove onto either the groove box or the clip detail view caused a crash when content editing was disabled e. Fixes a crash that could occur when making a time selection while editing expression envelopes. When tabbing the session view between windows, the scene name remains in the same position in the scene header. Fixes a bug whereby LFO would create an additional unnecessary undo step when mapping the device to a parameter. This fixes an issue where wrong values of per-note expression would be played when having ramps or curves between breakpoints.

On macOS, Live does not crash in rare circumstances when audio interfaces change. Fixes two bugs: a notes which were made as small as possible and which were located at the left edge of the visible range of the note editor could not be selected with the rubberband, and b these notes would not be displayed in the velocity and probablility editors.

Deleting an audition take lane will now be correctly reflected in the audio engine. Fixes a rare crash caused by Live trying to show the user mathematically impossible colors. Fixes a bug where for unlooped MIDI clips, no notes would be drawn beyond the end of the "unlooped loop" the clip end marker. Fixes a crash where pressing a high note on the computer MIDI keyboard would crash when the keyboard octave was set to C8.

Controls that open and close views are less visually distracting. Show clips of all linked tracks in Detail view in Automation mode. Bugfixes: Fix bug "Audio samples dragged into Live after renaming them in Live's browser shows wrong name" Fix bug "Browser: a M4L device cannot be moved into another folder when over a M4L device in the target folder. Fixes a bug where clicking on a scene while another scene is scheduled as a follow action would launch the follow action instead of the clicked scene.

Fixed a bug where the Live index quits unexpectedly. Fix that "Cut Time" and "Duplicate Time" did not copy take lane clips. If the time selection or lane header selection stretches across multiple lanes on the same track, the last selected lane will be auditioned.

For every Arrangement clip, Live will highlight its source material in a take lane by displaying it in full color, while dimming all unused take lane material. This makes it easier to track the recorded material that the clip originally came from. Source highlights will only be shown as long as the positions and the clip properties are matching. Highlighted regions on take lanes can be resized to adjust the split point between two adjacent parts of a comp by dragging the edge of the highlight.

At the right side, "Root Note" and "Scale Name" choosers allow setting a root note and scale for the selected clip s. When a selected clip has Scale Mode enabled and a scale is selected, notes belonging to the scale are highlighted in the piano roll. By default, key tracks belonging to the selected scale are highlighted in the MIDI Note Editor, and the root note is indicated by a prominent highlight in the piano roll.

When a key track height is low enough, this triangle will disappear. When Focus Mode is disabled, "Scale" is enabled and will fold key tracks according to the scales of all clips in the selection that have Scale Mode enabled. The old Chorus, Flanger, and Phaser devices have been deprecated. Updated the appearance of the Electric device's UI.

The "Tine" and "Tone Bar" parameters are now consistently named. Introduced "Chorus-Ensemble", a new audio effect device for Live. Chorus-Ensemble provides three different effect modes:. Classic is a thickening chorus effect. A high-pass filter allows removing the chorus signal from low frequencies. The width of the chorus signal can be adjusted; this is useful for complex mixing tasks.

The feedback signal can be inverted, which results in a "hollow" sound when combined with high feedback values. Ensemble is based on and shares controls with the Classic mode, while adding a third phase-shifted delay line for a thicker chorus sound.

Vibrato applies stronger modulation than a chorus to create pitch variation. The shape of the modulation waveform can morph seamlessly from a sine to a triangle, and be used to create well-known "police siren" sounds. Global controls allow setting the modulation rate and amount, output gain, and harmonic saturation via the "Warmth" parameter. Introduced "Phaser-Flanger", a new audio effect device for Live.

Phaser-Flanger combines the functionalities of the Phaser and Flanger devices into one, as separate effect modes. The Phaser mode has a new, lusher sound with increased frequency and modulation ranges, while the previous Earth and Space modes have been replaced with more expressive parameters. Also included is a new Doubler effect mode. Upgraded the Redux device. New parameters allow creating a wider range of sounds, from harsh distortion to digital and aliasing artifacts, through to warm and fat 8-bit sounds.

Jitter adds noise to the downsampling process. A Shape parameter allows transforming the quantizer's curve. Introduced "Spectral Resonator", a new audio effect device for Live. Based on spectral processing, Spectral Resonator uses spectral resonances and pitched overtones to add tonal character to any audio source. MIDI sidechain parameters allow processing any material in key with its surrounding musical elements.

Spectral Resonator offers several spectral processing types on the input signal, including spectral filtering, spectral chorus, and granularization. Introduced "Spectral Time", a new audio effect device for Live. Spectral Time combines time freezing and spectral delay effects in a single inspiring device. The freeze and delay effects can be used together or independently, allowing for a wide range of possibilities, such as sustaining any sound infinitely, or combining delays with time-synced fade transitions.

Live's Status Bar will now indicate when an update for Live is being downloaded. Once it is downloaded, the Status Bar will state that Live must be restarted in order to apply the update. It is possible to change this default behavior, so that Live will first ask for permission before applying a new available update.

The next time an update for Live is available, the Status Bar will display buttons for choosing whether or not to apply the update. Live 11 Release Notes Bugfixes: Live no longer hangs when opening a dropdown menu while Grammarly is running.

Clip borders are now drawn in an opaque color to improve visibility. Updated the software texts for the Collision instrument. The clip names of frozen take lane clips now appear as expected in Draw Mode.

Extending an unwarped clip past the original clip end now functions as expected. When Draw Mode is enabled, grid lines will appear as expected in take lane clips. The time selection of folded tracks in Automation Mode now appears as expected.

Fixed a bug that caused loud audio spikes in Wavetable under rare circumstances. Scrollbars appear as expected when a long list of items is displayed. Fixed a crash that occurred when opening Flux:: VST2 plug-ins. Arrangement View Improvements You can use the left arrow key to navigate from an automation lane or take lane to the main track, this will fold the lanes as well.

Capture MIDI In the first captured MIDI clip in an empty set with the transport stopped , if the detected loop is eight bars or less, the first played note is considered the start of the loop. The Pitch dial is now smaller and the Gain slider has been enlarged. Interface You can use the left and right arrow keys to switch between radio buttons anywhere in Live. Updated various info texts. Updated some Help View lessons. Max for Live Updated the bundled Max build to version 8.

Error reporting in the Max Window is more consistent. Four new theme colors are available in Max for Live. Multi-Clip Editing Time selection interactions, note selection interactions, and new note editing options have been added to multi-clip editing: Time in the MIDI Note Editor can be selected across loop and clip boundaries.

Wavetable: A context menu option for Hi-Quality mode has been added to the Wavetable device. Updated some parameter names for the Chorus-Ensemble device on Push 2. Session View Improvements Using the left and right arrow keys to navigate the Session View no longer skips return tracks, if they are visible. Multi-selecting scenes now behaves the same as multi-selecting clip slots. Setup To avoid incompatibilities, you will be asked to save Live Sets created with an older version of Live as a new file in Live Bugfixes: Live Bugfixes Devices that use beat sync divisions now remain in sync when the device is re-enabled during playback.

The undo text for changed clip colors has been corrected in the Edit menu. Renaming take lanes in linked tracks works as expected. Folded clips with long fades appear as expected. Fixed an issue that caused clip fades to reset when resizing adjacent clips. E-Piano Wurli. Fixed an issue that caused auto-updates to fail on certain computers on Windows OS.

Fixed an issue that caused Push to get stuck on the logo screen. Fixed a bug with the Expression Control device. Key events keep working when a selected Max for Live device becomes invisible. Mapped waveforms in the LFO device appear as expected. Clip View When transposing an unwarped audio clip: The time ruler below the waveform will change to show the accurate amount of seconds in the waveform. Comping When choosing a take lane for recording, Live now uses the first take lane that provides enough space.

The Device Activator button can be controlled. Mixer Control: An unlimited number of Tracks can be controlled. Track Mute, Solo and Selection can be controlled.

Follow Actions When transposing an unwarped audio clip, the position of the Follow Action marker will change to keep in sync with the playhead and the actual beat-time of the Follow Action.

Live now has improved performance in certain scenarios. Wavetable: When the transport is stopped, any hanging notes in the Wavetable device will now be stopped, as in other Live instruments. Session View Making a selection or multi-selection using keyboard navigation in the Session View's scene area now works as expected.

Bugfixes Arrangement View Previously, reactivating a take lane selection when Draw Mode was enabled would create a flickering effect. Recording auto-quantization now applies to take lane clips as well as main lane clips. Arpeggiator: Fixed a bug that could cause a crash when repeatedly adding and removing notes from a held chord when using the Arpeggiator device with the Hold parameter active.

Collision: Fixed a regression that resulted in missing parameters in the Collision device. Hybrid Reverb: Previously, Live would crash when loading a one-sample length file into the Hybrid Reverb device and adjusting the Size parameter. Interface Improvements Fixed an incorrect error message that appeared when trying to insert a non-audio device into an Audio Effect Rack.

Corrected the Edit menu entry text for undoing a clip color change. Link Fixed a bug where Live would not accept tempo changes from Link peers in some cases. Navigating with the Tab key once again works as expected when renaming scenes. Setup Previously, exporting audio might start single-threaded rendering before switching to multi-threaded rendering after a while.

Improved shared Library folder setup when installing Live in multi-user environments. It is now possible to rename multiple selected tracks simultaneously. Clip View The Sample tab's Clip Gain control has been changed back to a vertical slider, and it has been repositioned above the Transpose controls. The Sample tab's Reverse button now shows an icon instead of text. The Sample tab's Reverse and Edit buttons are now positioned next to each other. Added a Pitch dial to the Sample tab, which enables shifting an audio clip's pitch in semitones.

The Transpose controls now appear as adjacent slider controls, positioned beneath the Pitch control. When multiple audio clips with different Clip Gain values are selected, the value range is shown with split triangle handles on the Clip Gain slider. Added some visual refinements to the Clip View tabs. Follow Actions The Follow Action Chance slider now displays a split triangle instead of just a black bar when it is showing multiple different values.

Interface Updated various Help View lessons. Updated some Japanese and Chinese info text translations. The Overload Indicator is disabled by default for new Live 11 installations.

Live's performance is improved when deselecting many clips at once. The background color of lane headers is now consistent with the Notes tab. Clicking on a lane with a standby selection now selects that lane instead of collapsing the time selection. When the Expression tab is open, using the "Zoom to Clip Selection" command or "Z" key shortcut now adjusts the zoom level according to pitch bend values contained in the time selection.

It is now possible to clear all per-note Pitch, Slide and Pressure expression envelopes of a note at once by using the "Clear All Envelopes" entry in the context menu of the per-note expression breakpoint editor.

Changing the foreground clip from the Clip View updates the highlighting of the track in both the Session View and Arrangement View and the scene corresponding to the new foreground clip. Clicking on a clip's multi-clip loop bar in the Clip View updates the highlighted track, even if this clip is already the foreground clip. Plug-in devices now look similar to built-in Ableton devices when disabled. Note: this is only visible in the system's CPU monitor, not in Live's audio processing meter.

When low polyphony and unison voices are set, less CPU usage should be shown. Wavetable: Added support for Drum Rack choke groups to the Wavetable device. Updated the notification style for scenes, and updated the scene name visualization to include the absolute position, tempo and time signature on Push. Adjusting multiple encoders while recording automation now creates less undo steps on Push 1 and 2. It is now possible to rename multiple selected scenes simultaneously.

In the Session View's Track Status display, the remaining play time of an unlooped clip now always displays the seconds with two digits e. Control Surfaces Added control surface support for the Roland Fantom. Specifically: The Rewind and Fastforward buttons will now rewind and fastforward the Arrangement position. Turning the Encoder will now scroll the Session frame up and down. Holding the Encoder down and turning it will scroll the selected Scene up and down.

Fixed an issue where the Session frame was visible even when the hardware was not connected. Fixed a crash that could occur when restoring the Arrangement View's zoom state using the "Z" keyboard shortcut after deleting a take lane.

Fixed a crash that could occur when clicking in a track's main lane after track content had been selected during recording, under certain circumstances.

Previously, mixer controls in linked tracks would still be linked when selecting a take lane, after multiple track headers had previously been selected. Arrangement clip headers no longer have an uneven appearance. Previously, an Arrangement clip header would not be displayed as having a standby selection when the focus was moved away. Previously, it was not possible to unlink all tracks when some tracks were nested inside a Group Track.

Fixed a crash that occurred when inserting a take lane. Previously, the Operator device could crash or calculate inaccurate frequencies when its Fixed Mode and Spread parameters were enabled. Switching between oscillator effects in the Wavetable device now changes labels within each matrix as expected.

Previously in the Spectral Resonator and Spectral Time devices, gaps would sometimes appear in the Spectrogram at high frequencies. A Max for Live device's background color now updates correctly after moving that device between tracks. Fixed two bugs in the MPE Control device: The Pressure curve would not follow Live's themes when the device was instantiated while using the Dark theme. The Launch Macro Variation button can be mapped as expected again.

Fixed a crash that could occur when dragging an empty frozen MIDI clip to an audio track. Fixed a crash that could occur when freezing a track after recording, under certain circumstances. Fixed the alignment of the Launch text label that appears in the expanded view of the Clip View's Clip box. Previously, when copying a folder with audio files to another folder which was already in Places, the files would not appear in the browser.

Previously, when saving a Live Set file such as a clip or preset in the root folder of the temporary current Project, that file would not be copied over to the final destination Project. Previously, resizing the Device View, as a result of switching to the Arrangement View, while no clip was selected would result in automation lanes having the wrong height when switching back to the Session View. Previously, using Tempo Follower and Tap Tempo at the same time could create a conflict with Live's tempo.

To prevent this, Tempo Follower is now disabled as long as Tap Tempo is active. Previously, the waveform of an audio clip in the Detail View would be displayed in a dimmed color, although that clip was not audible while Audition Mode was enabled.

Using pinch gestures to zoom once again works in expression lanes. Previously, the vertical zoom level and scroll position in the MIDI Note Editor were sometimes wrong when switching from the Expression tab to the Notes tab. It also cannot be minimized anymore. These changes highlight that the second window is not a stand-alone window, but secondary to the main window. When switching virtual desktops, floating windows are no longer shown on the new virtual desktop.

When using virtual desktops, floating windows e. Fixed a bug that enabled performing certain actions e. Previously, the selection on an auditioned take lane would look different when Draw Mode was active. Previously, adding a device via double-clicking could create two undo steps.

Fixed a performance regression when loading a Live Set with many devices. Fixed an issue where a Rack's selector buttons for chains and devices would swap places, under certain circumstances. Fixed various minor UI alignment and sizing issues that affected other elements within Racks. Fixed a spacing issue in Drum Racks. In all Racks, the Rand and Map buttons now always align with the right border of the Macro Controls section, and they appear as "R" and "M" when six or less Macro Controls are shown.

Fixed a bug that generated false disk overload indications, even when no sample dropouts occurred. Previously, Link would not become disabled when opening a new Set. Fixed a crash when unfolding a nested Group Track containing a selected clip.

The Pitch control in the Clip View's Sample tab once again works as expected when multiple clips are selected. The Clip Activator button once again works as expected. Previously, after selecting a Group Track header, the track highlight would sometimes immediately jump to a track within that Group Track. Max for Live Sending a getpath message to a live.

Sending a getpath message to a live. Replacing a licensed Max for Live device with an unlicensed one no longer creates a "fake" device that informs the user of a missing license. Also, it is no longer possible to inadvertently trigger Temporary Demo Mode when attempting to perform another action that breaches any current limitations, in cases where a "fake" device was created.

When enabled, the Scale aka Fold to Scale button becomes disabled instead of grayed out whenever folding to scale is not possible. Previously, when the Expression tab was visible, making a rectangular selection of a single note in the MIDI Note Editor would incorrectly set the focus to pitch bend expression editing. Fixed a bug that could cause notes to be affected by expression parameters including pitch bend from previous notes.

Previously, when the Expression tab was open and the MIDI Note Editor was folded, zooming to selected notes would sometimes scroll out of view.

Session View When using a device parameter's "Show Automation" or "Show Modulation" context menu command while a Session clip is playing, Live now switches to the Envelopes tab in the Clip View when no clip is selected. Shift-clicking on an empty track slot in the Session View no longer changes the scene and track highlighting. Previously, the Follow Action Time marker was sometimes displayed at the wrong position in unwarped clips.

Improved the text contrast in the Session View's Track Status display for unlooped clips. Previously, when triggering a scene with assigned Follow Actions after stopping Live's transport, that scene's tempo was not respected.

The "Stop" Follow Action now works as expected for scenes. Setting the scene tempo or time signature from the Python API Max and Push will enable the respective scene control and display the correct value being set. The Live manual has been updated. The name consists of the track name without the leading index number , and an index of the take number. Upon creating a MIDI clip in the Arrangement View, the grid will start at a fixed sixteenth-note setting, as opposed to narrow-adaptive.

A new "Create Crossfades On Clip Edges" command creates four-millisecond crossfades on clip edges, when either a single or multiple adjacent whole clips are selected, or when a time selection contains more than two adjacent clips. Also, when a track's main lane is selected, only that lane's height is affected. Multiple selected automation lanes or take lanes can be resized by dragging the resize handles with the mouse.

When holding the "ALT" modifier, all selected automation lanes or take lanes are resized simultaneously, similar to tracks. A previous lane header selection is preserved after folding and immediately unfolding tracks again or when toggling Automation Mode. When using the Zoom to Time Selection command in the Arrangement, Live now only zooms horizontally at first. When using the command a second time without changing the time selection , Live then zooms vertically as well.

Upon using the command a third time, the Arrangement returns to the first vertical zoom state. Automation Updated background and text colors for lane headers and clip backgrounds in Automation Mode.

Automation lane headers are now selectable with the mouse. Clicking on an automation lane header now highlights that lane. Clicking on a selected lane's Remove Automation Lane "-" button now removes all selected automation lanes.

Clicking on an unselected lane's Remove Automation Lane button removes only that lane. Browser Improvements A "Templates" label has been added to the Categories section of the browser.

A "Grooves" label has been added to the Categories section of the browser. It shows a flat list, similar to that within the Clips and Samples labels, of all Grooves from the Core Library as well as the User Library.

Devices in the Audio Effects label are now grouped into folders. The nodes can be expanded to reveal presets. Presets outside of matching virtual folders are shown below the last virtual folder. Drum Synth devices are now grouped in their own folder within the Instruments label.

The Clip Gain slider has been moved below the Transpose controls, and is now a text slider control. The Transpose control now has a dial control for transposing in semitones, and a text slider control for fine-tune in cents previously named "Detune".

Removed the Clip Color chooser from the Clip box. It is now possible to rename or change the color of a selected clip via the Clip box's context menu. Comping Introduced comping in the Arrangement View. Recording in the Arrangement View automatically creates a clip in a take lane. Take lane clips can be edited like other Arrangement clips e. They can also be copied to Session View clip slots by either copying and pasting or dragging and dropping. This also works when there is a selection of clips or time across multiple tracks, and when take lanes are hidden.

Note: empty take lanes are ignored. Take lane headers are selectable with the mouse. Clicking on a take lane header highlights that lane. Multiple selected take lanes can also be renamed simultaneously. Selected take lanes can be reordered within their track via dragging and dropping. Take lanes can be selected and renamed during recording.

Take lane headers have a default info text. The info text of take lane headers can be edited using the Edit Info Text command from the context menu or the Edit menu.

Control surface scripts that can control multiple banks of device parameters can now control the second set of eight Macro Controls i. Follow Actions Follow Actions controls can now be shown or hidden via the triangular toggle button in the title bar of the Clip View.

Follow Actions can now be assigned to scenes via the new Scene View. Clip Follow Actions will continue to run when a scene Follow Action is created or scheduled, however scene Follow Actions take precedence when triggered. When disabled, no Follow Actions will occur in the Live Set, which allows editing running clips while preventing playback from jumping to other clips.

These values can be modified using a new slider control. This marker also allows dragging the clip's Follow Action Time. Added a new "Jump" Follow Action to clips and scenes. This switch is set to "Linked" by default. When the switch is set to "Linked", the Follow Action is triggered at the end of the clip or after the number of loops set in the "Follow Action Multiplier" field, and the Follow Action Time marker but cannot be moved.

When the switch is set to "Unlinked", the Follow Action is triggered after the clip has played for the duration of the Follow Action Time. Added a "Create Follow Action Chain" command to the context menu of Session clips, making it possible to set up Follow Actions so that all selected clips play in a loop.

The clip selection does not have to be contiguous. The percentage shown on the meter indicating either the average or peak CPU level can be selected from the CPU meter dropdown menu.

The Overload indicator previously named the "Disk Overload" indicator in the Control Bar has been redesigned, and will light up if a CPU overload has occurred. Note: CPU overloads usually produce audio dropouts. Each track shows a CPU meter with six rectangles that light up to indicate the relative impact of that track on the CPU level of the current Set.

Freezing or removing devices from the track with the largest impact will usually reduce the CPU load. This palette makes clips and tracks easier to tell apart with a deuteranopia, protanopia or tritanopia color vision deficiency.

On Windows, the progress of dialogs such as the Export Audio dialog is now displayed in the taskbar. Progress dialogs now show their progress value below the bar, for easier reading in all Themes. The scrollbar in the Help View now matches the colors of the scrollbar in the browser and the Groove Pool. The vertical zoom level on the piano roll is now increased when dragging horizontally on the Note Ruler. Added an "Arm Track" command to the Edit menu. If multiple tracks are selected, the command appears as "Arm Tracks".

If the selected track is armed, the command is replaced with "Disarm Track". It is now possible to arm selected tracks using the "C" shortcut key.

The Groove Pool now opens automatically when: loading a groove file from the browser by double-clicking or pressing the Enter key adding a groove to the Groove Pool e. Linked-track editing makes it possible to use comping workflows and other phase-locked editing operations on multiple tracks at once. Any tracks in the Arrangement View can now be linked so that their content can be edited simultaneously.

There can be multiple instances of linked tracks in a Set, however each track can only belong to one of these instances. Linked tracks are indicated by a "link" icon button in their headers.

Clicking on a track's link icon selects all tracks that are linked together. Hovering a track's link icon highlights tracks that are linked together. Tracks can be linked by selecting them and then choosing "Link Tracks" from the context menu. To link tracks inside a Group Track, right-click on the Group Track header and choose "Link Tracks" from the context menu. To unlink all tracks in an instance of linked tracks, right-click on the link icon button to select all tracks in that instance and open the context menu, and then choose "Unlink Track s " from the context menu.

When unlinking tracks inside a Group Track, is it also possible to right-click on the Group Track header and choose "Unlink Track s " from the context menu. To link an additional track to an instance of linked tracks, first click on the link icon button, to select all tracks in that instance.

To remove one or more tracks from an instance of linked tracks, select the corresponding track header s and choose "Unlink Track s " from the context menu.

Any subset of linked tracks, or a mix of linked and unlinked tracks, can be linked together by selecting their track headers and clicking the "Link Tracks" command in the context menu. The following controls and operations are synced on linked tracks: Track editing and time selection operations e. When one or more track headers are selected, pressing "Shift" and clicking on a track's link icon will select all tracks from the originally selected track to the newly-clicked track, as well as all linked tracks belonging to the linked track's instance.

Matching fades on linked tracks can be adjusted relative to their original values. Max for Live Improvements Updated the bundled Max build to version 8. The context menu of the controlled parameter now provides a "Go to Controlling Device" option.

A parameter that is controlled or automated by a Max for Live device will no longer incur a one-buffer delay in the signal sent by Max for Live, if the device containing the controlled parameter is positioned later than the Max for Live device in the device chain. The sample rate of a Sample loaded in Simpler. The slices of a Sample loaded in Simpler. A Clip or Sample's warp markers. Adding or removing Macro Controls in a Rack.

Macro randomization. Macro Control variations. The Live Set's Groove Pool. A Groove's properties. When editing multiple clips with different key and scale settings, any foreground clip with Scale Mode enabled now updates the global settings that are used to initialize the next created clips, as well as Push's key and scale.

When a selected clip has Scale Mode enabled and a scale is selected, pressing the new "Scale" "Fold to Scale" button at the right of the "Fold" button folds to key tracks containing notes, as well as key tracks belonging to the scale.

It is now possible to set a preference for spelling a clip's notes with flats, sharps, or both, via the piano roll's context menu. An additional "Auto" option automatically selects flats or sharps based on the position of the root note in the circle of fifths.

The Chance Editor lane is hidden by default. The Velocity and Chance Editor lanes can be shown or hidden via the lane selector toggle buttons at the left. The Velocity and Chance Editor lanes can be resized individually via their split lines. If no markers are selected, values for all notes will be randomized. The slider's randomization value can be typed as a number with the keyboard, and triggers randomization when validated using the "Enter" key. It is possible to edit probabilities for selected notes in Draw Mode.

Updated the appearance of Velocity markers. It is now possible to edit velocity values for selected notes using numerical keys. It is now possible to see and edit a velocity range, from which a velocity value is selected when a note is played.

In the Notes tab, a "Velocity Range" slider allows assigning velocity ranges to selected notes or all notes in a single clip, if none are selected. The velocity range is indicated by the shaded area between the horizontal handle and the velocity marker.

Double-clicking the velocity marker will reset the range to 0. It is now possible to choose between two different Draw Mode options. When enabled, drawing MIDI notes is constrained to one single key track or pitch at a time, while holding the "ALT" key allows freehand melodic drawing.

When disabled, Draw Mode defaults to melodic drawing, and holding the "ALT" key enables pitch-locked drawing. The "Melodic" Draw Mode can be used to erase notes, when drawing starts on an existing note.

When a MIDI controller that has MPE Mode enabled is selected as an input device on a track, the channel input routing is fixed to "All Channels" and no individual channels can be selected. This makes it possible to refine the expression of recorded material, or to automate polyphonic sound variations for MPE-capable instruments. Each expression lane can be shown or hidden via the lane selector toggle buttons at the left. Each expression lane can be resized individually via their split lines.

When clicking a note or any of its expression dimensions in the MIDI Note Editor while the Note Expression tab is open, the note will appear in a transparent overlay. Breakpoints appear, allowing to edit the note's Pitch, Slide, and Pressure envelopes, while markers can be used to edit the note's Velocity and Release Velocity values. Unselected notes will appear grayed out, and their expression envelopes will be dimmed.

It is possible to edit expression envelopes for multiple selected notes at once. The expressions are scaled proportionally, similar to that of velocities for multiple selected notes. In the Note Expression tab, the grid is disabled by default for easier editing at a finer resolution. The grid's settings are separate from the grid in the other tabs, and they are saved with the clip.

All expression dimensions can be edited in Draw Mode. When a note is moved, its expression envelopes will move along with it. This also works for Pitch values in Draw Mode. This behaviour can be inverted using the same shortcuts when the grid is on. Pitch envelopes are hidden when Fold Mode is enabled in the Note Expression tab.

The new "Focus" button enables Focus Mode, which allows editing the current foreground clip only. Focus Mode can be toggled via the "N" keyboard shortcut. Holding "N" while editing with the mouse toggles Focus Mode momentarily. Loops are now visible and editable via mouse interactions. In Focus Mode, it is not possible to select more than one multi-clip loop bar at a time, and any existing multi-selection is ignored.

When Focus Mode is disabled, It is possible to create a contiguous multi-selection of multi-clip loop bars by clicking them while holding the "Shift" modifier key. When Focus Mode is enabled, any existing multi-selection is ignored. The loop bar region is vertically resizable. When Focus Mode is enabled while multi-clip editing, the loop length controls and Notes tools are now available for editing the active clip.

Previously when crossing a loop boundary while making a rubberband selection, all notes were selected. Now, only the notes that are inside the selection rectangle are selected. When Focus Mode is enabled, the title bar of the Clip box in the Detail View now appears in the active clip's color. When Focus mode is enabled, "Scale" is enabled and folds key tracks to the scale of the foreground clip, if the foreground clip has Scale Mode enabled. It is now possible to transpose notes across multiple selected clips using the Transpose control in the Notes tab.

The Invert button is now enabled in the Notes tab when at least one note is selected, and it is possible to invert selected notes from multiple clips at the same time. The inversion is not applied on a per-clip basis, but for the selection as a whole - as if all selected notes belonged to one clip. The number of visible Macro Controls in Instrument Racks can now be controlled from a Max for Live device or a control surface. Per-note expression is forwarded through Racks.